I'm still ploughing my way through the Dylan 36 CD set at the moment before listening to it. Is Don Was's production OK? That was my only reservation about it.
I've only heard it played through my Yamaha modelling amp emulating a Fender Tweed, and it sounds to me like it was recorded in the smoky basement of a Chicago juke joint, which I hope was what they were trying to achieve?
I'll have a listen through some studio monitors tomorrow.
